Keto van Harum
Techno is no longer just industrial or minimal. It’s evolving — and artists like Keto van Harum are pushing it into new dimensions. With his latest track, ‘Fire from Above’, the Romanian artist merges Afro house grooves with Arabic scales and cinematic textures, resulting in a hypnotic, culture-bending experience that hits both heart and body.
Built on a steady, tribal pulse and layered with haunting Middle Eastern motifs, Fire from Above is not just a track — it’s a sonic ritual. It’s also Keto’s first collaboration with Cafe De Anatolia, a label known for its deep organic house and multicultural aesthetic. The fit is seamless — Keto’s background in classical music (piano and choral conducting) gives his productions a refined, layered dynamic rarely heard in the club circuit.
“I wanted it to feel ancient and futuristic at the same time,” he says. “It’s tribal, it’s soulful, it’s immersive.”
But don’t mistake soulful for soft. The track delivers heavy low-end energy and rhythmic tension that makes it equally at home in underground clubs and desert stages. It’s a rare blend of technical precision and emotional storytelling.
Outside the studio, Keto’s rise is steady and global. With two international radio shows — From Paris with Love and Chasing the Sound — plus recent gigs in Ibiza, Paris, and Chișinău, he’s building an audience that craves something deeper than generic tech-house drops.
His next release, Resurrection, promises to continue the global fusion, again with Cafe De Anatolia. He’s also preparing for upcoming sets at Teatrul Gastronomic and Long Beach Club Lanzarote, as well as a European tour before the year wraps.
In a time when much of the scene is chasing trends, Keto van Harum is carving a lane rooted in cultural fusion, classical discipline, and emotional depth. Fire from Above isn’t just a track — it’s a statement.
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